The UoG Research Repository is a storage and distribution service for the University’s research and publishing outputs whether articles, conference papers, book contributions, artefacts or video.
Research theses
Dissertation database
UoG Dissertations
Past copies of UoG undergraduate and taught postgraduate dissertations can be found in the dissertation database
A database of past University of Gloucestershire undergraduate and taught postgraduate dissertations or final year projects.
Only selected dissertations of the approved standard (60%+) have been uploaded. Dissertations can be viewed but download options have been disabled.
Dissertations can be browsed by subject, school and level using the Search facility.
Searching for past UoG dissertations
Research Methods books for music and sound
Scholarly Research in Music
by
Sang-Hie Lee
Scholarly Research in Music: Shared and Disciplinary-Specific Practices, Second Edition offers a comprehensive and detailed guide to engaging in research in all disciplines of music. This second edition continues to provide the foundational principles of research for all musicians, including performers, theorists, composers, conductors, music educators, and musicologists. It strengthens the core pedagogical framework of the first edition by offering updated guidance on available technologies, methodologies, and materials. Driven by the rapidly shifting research paradigms within music, sixteen contributors expand the already broad scope of the book, with new chapters on research in today's library, neurophenomenology in music, and self-efficacy in music performance, as well as new sections in chapters on philosophy, historical research, social science research, and statistics. Introducing research as a friendly and accessible process, the book engages students in brainstorming a topic, asking pertinent questions, systematically collecting relevant information, analyzing and synthesizing the information, and designing a cohesive research plan to conduct original research. Detailing the methodologies and techniques of both conventional and innovative approaches to music research, Scholarly Research in Music provides an essential grounding for all kinds of music researchers.
Publication Date: 2022-02-01
Creative Research
by
Hilary Collins
Academic research in design can seem daunting - let Hilary Collins show you the building blocks of a great final project. The perfect companion for a research project in fashion, design or visual communication, this 2nd edition of Creative Research walks you through: · Choosing a topic · Deciding your approach · Using previous research and writing a literature review · Obtaining your own data and using it appropriately Useful case studies show best practice, revealing the links between a researcher's choice of method and the conclusions they draw. Packed with advice on how to manage your time and structure your project effectively, this edition also includes new sections on design thinking and ethnography. Collins marries theory and practice from start to finish, showing you everything you need to confidently embark on your creative research project.
ISBN: 9781474247085
Publication Date: 2018-10-18
Knowing in Performing
by
Annegret Huber (Editor); Doris Ingrisch (Editor); Therese Kaufmann (Editor); Johannes Kretz (Editor); Gesine Schröder (Editor); Tasos Zembylas (Editor)
How can performing be transformed into cognition? Knowing in Performing describes dynamic processes of artistic knowledge production in music and the performing arts. Knowing refers to how processual, embodied, and tacit knowledge can be developed from performative practices in music, dance, theatre, and film. By exploring the field of artistic research as a constantly transforming space for participatory and experimental artistic practices, this anthology points the way forward for researchers, artists and decision-makers inside and outside universities of the arts.
The Bloomsbury Handbook of Sonic Methodologies
by
Michael Bull (Editor); Marcel Cobussen (Editor)
The field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters that work as provocative 'sonic methodological interventions' prefacing the 3 sections of the book.